Fifty years ago on January 5, 1968, the news came out of the ongoing central committee party meeting of the Czechoslovak communist party that Slovak, Alexander Dubček, had been chosen as the new party boss. Dubček was little known in Czech circles but his name would soon be known around the country and the world.
A Prague court has halted a case centred on Communist persecution of kulaks following the death of a man believed to have been the country’s oldest defendant. His alleged crimes took place in the early 1950s when Czechoslovak agriculture was being collectivised, often using extremely harsh measures.
Jan Šesták was a music-obsessed mega-fan of Radio Luxembourg, tuning in every evening, despite the risks, in communist Czechoslovakia. Tony Prince was a top DJ on the Europe-wide station, which regularly reached tens of millions of listeners. This is the story of how the two met when Prince performed in Šesták’s native Brno on a 1970 tour, starting a friendship that continues to this day. It is also a story about the power of radio.
Václav Havel has been the subject of many books and quite a few have been devoted to the so-called Czechoslovak underground, the cultural movement which above all in music but also through literature and art ignored the desires and instructions of the ruling communist party. But while the link between the two has often been made, a new book bluntly argues that without the support of the underground, dissident leader Havel would have been nowhere in creating a coherent opposition.
The Czech Catholic Church says that it is near to sealing an agreement with the Vatican for the return of the remains of Cardinal Josef Beran back to his homeland. Cardinal Beran was persecuted by the communist regime when it came to power in 1948 but eventually left for Rome, where he ended his days.
Heda Margolius Kovály was a well-known writer and translator who survived the Auschwitz extermination camp and whose first husband, Rudolf Margolius, a deputy minister of foreign trade, was found guilty in the notorious Slánský show trials in what is one of the darkest chapters of in modern Czechoslovak history. In the 1970s, Heda published a memoir which has been in print ever since, but now, a new publication called “Hitler, Stalin and I”, based on four days of interviews with documentary filmmaker Helena Treštíková in 2000 and made into a film
František Vláčil, Karel Kachyňa, Vojtěch Jasný, Jiří Menzel and several more of the greatest ever Czech film directors honed their craft in the army during the communist period. And as the Czechoslovak New Wave was blossoming, the country’s military were producing the kind of short films that were the envy of their counterparts elsewhere in the Eastern Bloc. That’s according to historian Alice Lovejoy, author of the book Army Film and the Avant Garde. We spoke when Lovejoy, who teaches at the University of Minnesota, was in Prague recently.
A book exploring the part played by women in the anti-Communist dissent has
been launched in Prague. Entitled Bytová revolta: Jak ženy dělaly disent
(Apartment Revolution: How Woman Made the Dissent), it features profiles of
21 women who were not afraid to stand up to the Communist authorities in
the normalisation period of the 1970 and 1980s.
Among those who attended the launch were then dissidents Marta Kubišová, Dana Němcová and Kamila Bendová.
One of the organisers of the Women in Dissent project, Marcela Linková, said there was a perception that the women had supported male dissidents but in fact they had carried out the same activities as men.
Several now elderly people who were persecuted by the Communist regime were
honoured with the Memory of Nations award at Prague’s National Theatre on
Friday night in one of a number of events marking Struggle for Freedom and
Democracy Day. The award went to former political prisoners František
Suchý, Mária Matejčíková and priest František Lízna, as well as to
Otto Šimko, a Holocaust survivor who was repeatedly persecuted because of
his Jewish origins.
The Memory of Nations award has been presented annually since 2010 by the non-profit organisation Post Bellum, which records and makes accessible interviews with victims of the Nazi and Communist regimes.