The new documentary The Old Man and the World explores the life of one of the greatest of Czech travellers, Miroslav Zikmund. The exploits of Zikmund (now almost 96) and his partner Jiří Hanzelka made them big stars in a period beginning in the late 1940s. The film is directed by Petr Horký, a traveller who has himself shot in around 80 countries around the world. Before we discussed the documentary, I asked Horký when his own wanderlust began.
Fresh Film Fest, an annual event focused on young directors and debut works, gets underway in Prague on Wednesday. The festival is showcasing around 100 feature length and short films and takes place at a number of venues in the city, from regular cinemas to an anchored boat on the River Vltava. The 11th edition begins with a screening of Jonathan Glazer’s Under the Skin at the Světozor cinema.
The Czech movie Fair Play has been placed on a long list of nominees for this year’s European Film Awards. Written and directed by Andrea Sedláčková, Fair Play explores doping in sport in the final decade of the communist era. It is among 50 films from 31 European countries in contention for various prizes; nominations will be announced in November ahead of an awards ceremony in Riga the following month.
A new feature-length documentary about the famous Czech traveller Miroslav Zikmund received a pre-premiere screening in his town of Zlín on Monday night. Petr Horký’s film Století Miroslava Zikmunda (Miroslav Zikmund’s Century) will enter cinema distribution on Thursday. Speaking at a sold-out Velké kino cinema, Mr. Zikmund, who is 95, recalled presenting the pair’s first full-length film on the same stage in the 1950s with his travelling partner Jiří Hanzelka, who died in 2003. The two visited more than 80 countries in a Tatra car between 1947 and 1950 and 1959 and 1964 before being barred from travelling or participating in public life after 1968.
Last month Prague’s FAMU placed a very impressive fourth in a Hollywood Reporter list of top international film schools. How has the Film and TV School of the Academy of Performing Arts, to give it its full title, managed to acquire such a reputation around the world? That’s one of several questions I discussed the other day with the head of FAMU International, teacher and documentary maker Vít Janeček. But I first asked Janeček how the range of subjects in his programme compares to the “regular” Czech-language FAMU.
Gottland, a documentary film inspired by a book uncovering various aspects of Czech culture and modern history, received a pre-premiere at a railway freight yard in Prague’s Žižkov district on Monday night. The film was shot by five documentary makers, several of whom were students when work on it began. The producers plan to only screen it at unusual venues and it will not get a cinema release. The book Gottland by Polish journalist Mariusz Szczygiel came out in 2007 and was recently published in an English translation.
The first year of a new Roma-themed film festival is to kick-off at the end of September, reports Denik.cz. The festival, entitled Čačikano, will take place at the Světozor cinema in central Prague. According to festival organiser Alžběta Jílková, the event is designed to highlight the richness of Roma culture and also overturn prevalent stereotypes.
Prague’s FAMU has been ranked fourth best international film school in the Hollywood Reporter’s annual Top Film Schools list. The publication praises the film and TV academy as an institution with a great tradition that has produced such names as the Oscar-winning directors Miloš Forman and Jiří Menzel. It also highlights FAMU’s international programme, which is attended by around 100 aspiring filmmakers from around the world. FAMU dean Pavel Jech welcomes the news.
A record number of visitors attended this year’s Summer Film School in the South Moravian town of Uherské Hradiště, organisers said after its conclusion on Saturday. Over 6,200 people took part in the 40th edition of the event, which as well as screening around 280 films included dozens of accompanying events. Special guests this year included the British director Peter Greenaway.
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