Cross the Line is the title of a new exhibition of Czech and Slovak contemporary glass design that runs from Sunday in the Czech House Jerusalem. The exhibition is a joint project organized in cooperation with the Czech Centre Tel Aviv and the Museum of Glass and Jewellery in Jablonec nad Nisou. I asked the head of Czech Centre in Tel-Aviv, Robert Mikoláš, to tell me more about the exhibition:
Dining is one of the most important manifestations of material culture. At state dinners the quality of the porcelain and glass used represents a given state. On the occasion of the 100th anniversary of the founding of Czechoslovakia, we have prepared a photo gallery, documenting the porcelain and glass dining sets used by Czechoslovak and later Czech presidents. They did not necessarily change with every administration, changes in the porcelain, glass and silverware used were usually related to a change of state symbols. So how was the Czech Republic
The Czech Republic is known for its skilled glassmakers, getting commissions for lighting installations and glass artworks from palaces, luxury hotels and residences the world over. However this year the studio of Czech glassmaker Zdeněk Lhotský concluded work on a truly unique project – a four-tonne glass case that will serve as a sarcophagus for Denmark’s Queen Margarethe II.
160 years ago Ludwig Moser opened a glass-workshop and store in the West Bohemian town of Karlovy Vary. Today the Moser Glassworks is a world leader in glass making, selling its products around the globe and getting commissions for special pieces for royal palaces and five-star hotels. It is celebrating its 160th anniversary with a grand exhibition at Prague’s Municipal House.
The 160th anniversary of the establishment of the Moser crystal company is being celebrated at an exhibition that has just opened at Prague’s Municipal House. The show features glass items produced throughout the existence of the Karlovy Vary-based luxury goods maker. Moser today has around 320 employees and is sold at high-end outlets throughout the world. Entitled The Story of Moser Crystal, the exhibition runs until March 22.
In 2007 when businesses were closing down as a result of the global crisis, Leon Jakimič founded his lighting installations and glass artworks company Lasvit. Today it is one of the world leaders in its field, with offices in New York, London, Paris, Milan, Dubai and many other cities. Mr. Jakimič runs the company from Hong Kong but, on one of his many visits to the Czech Republic, he showed us around the Ajeto glassworks in Nový Bor where the company’s unique creations take shape.
The Stanislav Libenský Award, founded eight years ago, is an international competition recognizing outstanding works in glass by art college graduates. This year’s winners were announced just recently and their work (as well as that of other finalists) is on now on view in a must-see exhibition at Prague’s DOX Centre for Contemporary Art.
Breathless is the title of a presentation of Czech glass that runs from this Saturday as part of the prestigious London Design Festival. Located in a former garage in the Brompton Design District near the Victoria and Albert Museum, the exhibition is a joint project of the award-winning Dechem studio, the OKOLO design collective and London’s Czech Centre. As last minute preparations were made, OKOLO’s Adam Štěch filled me in on what the show has to offer.
The Czech jewellery and glass industry is still inextricably linked with the north Bohemian city of Jablonec nad Nisou although the business has gone through a tough couple of decades with the workforce in the sector shrinking to around a third of what is was 20 years ago. It now shows confident signs of revival.
Kateřina Čapková heads the Prague Gallery of Czech Glass, a not-for-profit organisation promoting excellence in glassmaking as well as offering a prestigious international award since 2008 which has attracted attention worldwide. The gallery also boasts a small depository and permanent collection – anyone interested in glass works should visit.