Arts Ferlinghetti exhibition in Prague / A new future for the Vitkov Memorial
In this week's Arts: a new exhibition of drawings and paintings by American "Beat generation" poet Lawrence Ferlinghetti opens in Prague. Also: the National Museum announces plans for the renovation of the city's Vitkov Memorial.
Lawrence Ferlinghetti
Welcome to the Arts. In today's show, in just a few minutes we'll be
talking to the director of the National Museum, Michal Lukes, about plans
to renovate Prague's Vitkov Memorial - a famous structure overlooking the
city which at one point was misused as a mausoleum for communist leaders.
But first, on a very different note: a new exhibition has opened in Prague
featuring drawings, paintings and poetry by legendary Beat Generation poet
Lawrence Ferlinghetti. We attended the opening and can say among the many
items featured is a video installation of the poet reading "Rivers of
Light" - his poem written during a now famous visit to Prague in 1998.
The work has been described both as an "homage" to the city as
well as a "journey of the heart".
'Lady Lilac attending'
Curator Jitka Hlavackova says the exhibition at the City Gallery Prague
(organised with the help of a San Francisco gallery) is something of a
commemoration. In 1998 Mr Ferlinghetti was greeted here with great
enthusiasm, with the newspapers profiling his stay and publishing Rivers
of Light in Czech. Now, visitors will have a chance to see different areas
of the poet's work with which they will probably not be familiar. According
to Jitka Hlavackova, though well-known as a publisher, bookstore owner, and
poet since the 1950s, Lawrence Ferlinghetti was not nearly as well-known
for his painting until later in his career. The poet began painting
inspired by the Abstract Expressionists.
'Liberty Movement'
"Ferlinghetti's career as a visual artist most certainly began with
early drawings he did to complement his poems, but in the 1950s he began
to paint seriously. At the time he was strongly inspired by painters like
Kitaj, Larry Rivers, deKooning, as well as Robert Motherwell. But later he
entirely abandoned this approach. His visual style, together with his
written work, became more radical and he eventually went from the
'abstract' to the far more concrete. More and more we begin to see his
texts and paintings include commentary on the state of the world, whether
ecological issues, American foreign policy, war, or women's rights. As an
artist he is nothing if not engaged."
'I left my memory in the pawnshop'
The show includes a number of Mr Ferlinghetti's strongest paintings, which
Ms Hlavackova says display a daring and freshness most often associated
with street art. Words in one piece, titled "World War III",
are, for example, scrawled across the work like graffiti on a wall. Jitka
Hlavackova again:
"Mr Ferlinghetti's work is always developing, even if he never had formal training as a painter. Since 1953, when he co-founded the City Lights bookstore, he has tried to publish daring and to a degree controversial work. Then, one of the first pieces he published was Allen Ginsberg's "Howl". And he's still always on the lookout for new and original ideas.
'Policia Oaxaca'
"This sensibility I think carries over into his painting: he is not
afraid of taking risks. He also works in many different techniques: oil on
canvas, or acrylic, or paint-stick on paper. His style is very close to
street art and the public space and his approach is expressive and
spontaneous. He himself doesn't like to talk about the process: what's
more important is the result."
Among the most interesting pieces on view are Mr Ferlinghetti's figurative drawings which have less to do with a realistic or objective depiction of the subject, but focus on what Ferlinghetti has dubbed "life story". He himself has been quoted as saying he has always been more interested in that, than actual physical appearance. He has said such work is an attempt to "at least scratch the surface of the human façade". The exhibition titled Lawrence Ferlinghetti - Paintings & Poems" continues in Prague until May 13th.
Vitkov Memorial to house new museum
Vitkov Memorial
In our second story in this edition of the Arts we turn to the future of
Prague's Vitkov Memorial, a monumental building originally built on Vitkov
Hill to commemorate the founding of Czechoslovakia in 1918 as well as to
remember Czech legionnaires who fought in the Great War. Among other
elements, the site features the largest equestrian statue in the world: a
nine-metre high bronze sculpture designed by Bohumil Kafka depicting Jan
Zizka, the great Hussite general. The statue and memorial building, were
acquired by the National Museum in 2000, and now the museum has outlined a
tender for its full renovation, set to begin later this year. This week I
spoke to the National Museum's director Michal Lukes about the site's
history as well as the renovation plans.
"The memorial site, completed after the First World War, is not in
great shape. It only saw minor renovation in the 1950s, when it was
transformed into a mausoleum for Klement Gottwald, Czechoslovakia's first
communist president. Still, the building has held up relatively well
thanks to its cathedral-like structure. It truly is a monumental site. I
call it a kind of a 'temple of the republic': materials that were used in
building the site included tonnes of marble and stone. The question is
what do you do with it next?"
Stelarc
Throughout the 90s and into the 21st century the site was often rented for
film shoots. Commercials were shot there as well as scenes from
adrenalin-packed films like the recent Hellboy or Doom. In 1999, the
memorial was also the site for several sold-out performances by the
Australian artist Stelarc, whose work fuses man and machine. At Vitkov, he
performed within a large crab-line exoskeleton. The renovation of the site
has brought an end to such possibilities, and now the National Museum will
transform the site into a new museum on modern Czech history, complete with
a café boasting a panoramic view. But, there will still be a place for the
arts. Michal Lukes again:
"We want it to be a very attractive and welcoming space for visitors.
Part of the building will house an exhibition titled "Crossroads"
examining modern Czech history. But it will still be available for the
performing arts: live concerts theatre, and so on, we want visitors to
come for those too. Of course, the original symbolic meaning of the
memorial will not change: the Zizka statue overlooks the Tomb of the
Unknown Soldier, the only such memorial in the Czech Republic. That
meaning will continue to be respected as well."
Renovation of the site is expected to cost several hundred million crowns, and with a little luck, says Michal Lukes, the Vitkov site will form part of a kind of "museum mile" in Prague encompassing the nearby military museum, one or two other sites, and the National Museum itself.







